Red Grooms’ massive cartoon-like 3D paintings and lithographs are kinetic and inspiring. His perspective is so unusual that his pieces seem to fall in upon themselves and to explode outwards simultaneously. His depictions of other great artists: Pollack, Dali, Picasso and of bustling metropolises: Chicago, Nashville, New York have been enjoyed by international audiences.  He has been described by Lois Riggins-Ezzell as “a social Historian with a hot glue gun.” An oddly apt view of a wildly inventive artist.